It’s spring! You want to be released from the prison of winter. So what better way to celebrate the arrival of good weather than to drive, bike, walk, or even take the T to your favorite concert venue ...

This spring, keep yourself sane—and even happy—with a healthy dose of classical music. Whether it’s Tchaikovsky in the park, multimedia mashups of works by the likes of Philip Glass and Leonard Cohen, ...

It may be a cliché to say, but New York’s classical scene feels reborn this spring, after a tentative start in the fall and a spate of Omicron-related delays and cancellations in the winter. Also at ...

The Southbank Centre and its family of Resident Orchestras today announce its Classical Music Spring/Summer 2024 programme. Featuring a vast array of music, from ambitious new works by world-class ...

Just as gray winter gives way to spring blossoms, this season’s classical music concerts reveal how much more colorful and diverse Portland classical music concerts have become since the dull days ...

This spring promises to be both unseasonably warm and unreasonably busy — especially with the classical music world in such full bloom. If I had the space, I would tell you about the packed lineup of ...

Cellists from Park University's International Center for Music. If you’ve been feeling a little stir crazy and want a musical staycation, March is the perfect time to venture outside and enjoy some ...

There’s something of a British invasion afoot this spring and summer on the Twin Cities classical scene, as a host of virtuosic Englanders will be singing, playing and conducting in local concert ...

Springtime usually symbolizes new beginnings. But this season, there will be two significant departures in classical music locally. The San Diego Symphony will bid farewell to Jahja Ling, its ...

I share many of Barton Swaim’s views on modern classical music, but he is wrong to lump Igor Stravinsky’s “Rite of Spring” in with music he says no one wants (“Songs Without Listeners,” Bookshelf, ...

You would have to go back to Eleanor Steber—Mozart’s Countess, Barber’s Vanessa—to find an American soprano who combines refulgent vocal tone with innovative repertoire as splendidly as Renée Fleming.